Document Type
Article
Publication Date
3-9-2020
Publication Title
English Literature
Volume
6
First page number:
83
Last page number:
100
Abstract
James’s essays on art and exhibitions written between the 1870s and the end of the century illustrate his attention to the composition of the art exhibition within the space of the gallery or museum. James’s perception of art exhibit design and effect inform his representation of Mrs Gareth’s art collection and its setting in The Spoils of Poynton (1897). As James looked to art and the art exhibit for models to represent ‘the workings of the novel’, The Spoils of Poynton suggests the impossibility of artistic ‘completeness’ within the realistic aesthetic.
Keywords
Henry james; Art exhibition; Gaze; Literary realism
Disciplines
American Literature | American Studies | Art and Design | Arts and Humanities
File Format
File Size
462 KB
Language
English
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/
Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.
Repository Citation
Totten, G.
(2020).
The Problem of Completeness in Henry James's The Spoils of Poynton.
English Literature, 6
83-100.
http://dx.doi.org/10.30687/EL/2420-823X/2019/01/005