Award Date
8-15-2025
Degree Type
Dissertation
Degree Name
Doctor of Philosophy (PhD)
Department
Sociology
First Committee Member
Barbara Brents
Second Committee Member
Cassaundra Rodriguez
Third Committee Member
Tirth Bhatta
Fourth Committee Member
Danielle Roth-Johnson
Number of Pages
280
Abstract
This dissertation examines drag performance as a form of service labor shaped by emotional labor, community care, and identity-based inequality. Drawing on interviews with drag performers shows how drag labor blends artistic skill, emotional regulation, interpersonal care, and entrepreneurial labor. While these demands mirror service sector roles in other industries, drag remains underrecognized and undervalued, particularly for performers who do not conform to white, cisgender norms. The study introduces Housewerk—an adaptation of Marlon Bailey’s concept of housework (Bailey, 2013)—to describe the mix of paid and unpaid labor drag performers engage in. Housewerk captures how performers must balance self-preservation (branding, income, emotional health) with social obligation (activism, mentorship, visibility), often at a personal cost. Marginalized performers—including trans artists, drag kings, intersex performers, and performers of color—report heightened emotional burdens, tokenization, and exclusion from booking and leadership opportunities. These findings build on and extend the work of Bailey (2013), Román (2005), and Piepzna-Samarasinha (2016;2018), who conceptualize queer and trans labor through kinship, care, and community survival. By drawing on and expanding theories of emotional and affective labor (Hochschild, 1983; Wharton, 1993; Ahmed, 2004; Kang, 2003; Carastathis, 2015; Niall, 2022), this dissertation reframes drag as labor that is simultaneously artistic, political, and communal. It contributes to sociological understandings of work, identity, and inequality by demonstrating how emotional labor operates in informal, identity-based economies where care and performance are demanded but not protected.
Keywords
Community; Drag Performer; Emotional Labor; LGBTQIA; Queer
Disciplines
Feminist, Gender, and Sexuality Studies | Gender and Sexuality | Social Psychology | Sociology
File Format
File Size
3200 KB
Degree Grantor
University of Nevada, Las Vegas
Language
English
Repository Citation
Landeros, Steph O., "Housewerk: How Drag Performers Engage in Emotional Labor While Navigating Community Care" (2025). UNLV Theses, Dissertations, Professional Papers, and Capstones. 5382.
http://dx.doi.org/10.34917/39385606
Rights
IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/
Included in
Feminist, Gender, and Sexuality Studies Commons, Gender and Sexuality Commons, Social Psychology Commons