Award Date

5-1-2025

Degree Type

Dissertation

Degree Name

Doctor of Musical Arts (DMA)

Department

Music

First Committee Member

Linda Lister

Second Committee Member

Kimberly James

Third Committee Member

Stephen Caplan

Fourth Committee Member

Jennifer Bellor

Fifth Committee Member

Philip Hubbard

Number of Pages

62

Abstract

This document explores the integration of movement-based techniques in vocal performance training by focusing on integrating Michael Chekhov’s acting method and Body Mapping. It examines how these methodologies enhance expressive freedom, technical efficiency, and injury prevention in singers. By providing a framework for performers to embody characters with greater authenticity, this document contextualizes exercises from both Body Mapping and Chekhov’s technique through an interdisciplinary approach that enhances student achievement of technical vocal and acting proficiency. Synthesizing principles from Body Mapping, such as inclusive awareness and the dynamic points of balance, with key elements of Michael Chekhov’s acting technique, including crossing the threshold, archetypal gesture, and qualities of movement, this work presents strategies for incorporating movement into the modern voice studio and opera workshop space. Examples of lesson plans, exercises, and modalities of execution will be shown. This research contributes to a growing body of work advocating for a holistic approach to vocal training and emphasizes the inseparable connection between body, breath, and artistic expression.

Keywords

Acting and Opera; Body Mapping; Kinesthesia; Michael Chekhov; Opera; Performance

Disciplines

Curriculum and Instruction | Education | Music

File Format

pdf

File Size

6400 KB

Degree Grantor

University of Nevada, Las Vegas

Language

English

Rights

IN COPYRIGHT. For more information about this rights statement, please visit http://rightsstatements.org/vocab/InC/1.0/

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